Juliette, Roméo et Juliette
National Lyric Opera- 2007
“Soprano Kristin Sampson’s Juliette was a real treat: strong in vocal delivery with good range and an open, rounded sound at the high end that had a pleasant warm edge to it. Ms. Sampson, from start to finish, delivered a superb performance, demonstrating, besides considerable vocal talent, a solid, even sensuous, stage presence. Brava!”
Paul Joseph Walkowski- Opera Online.US
Juliette, Roméo et Juliette
National Lyric Opera- 2007
“Vibrant-voiced and spirited in her delivery, Sampson especially excelled in the dramatic, vocally demanding ‘Potion Aria’ as Juliet struggles to over come her fears…”
Anna Crebo- Cape Cod Times
Juliette, Roméo et Juliette
Dicapo
Opera Theatre- 2007
“… Sampson was able brilliantly to find that mild comic ingratiation in her projected ambivalence over whether to take the death-fabricating potion Friar Laurence (Matthew Lau) provided. Her voice took on a gorgeous, biting resonance. At the end of the opera, amazingly, she and Karn had managed to mesh so perfectly that they made the wildly improbable final love and death duet of “Romeo et Juliette” convincingly poignant. ”
John Zeugner- Worcester Telegram & Gazette
Juliette, Roméo et Juliette
Dicapo
Opera Theatre- 2007
“…it was delivered by a promising young cast led by a bright-toned and eloquent Kristin Sampson as Juliette…”
Clive Barnes- New York Post
Juliette, Roméo et Juliette
Dicapo
Opera Theatre- 2007
“Kristin Sampson contributed a strong, lustily sung Juliette that was at its best in her passionate delivery of the Potion Aria. I also liked the way she seemed almost to berate Friar Lawrence when enlisting his aid in her hour of need. ”
George Loomis- New York Sun
Micaëla, Carmen
Hudson Opera Theatre- 2007
"Playing Micaela, the other woman in Don Jose's life, is Kristin Sampson. Her velvet-toned and expressive voice serves well the home-town girl who prevails upon the deserted soldier to hurry to his dying mother.”
Marcus Kalipolites - Times Herald-Record
Mimì, La Bohème
Opera of The Hamptons- 2007
"Kristin Sampson as the ailing Mimi and John Tsotsoros as her lover Rodolfo had all of the charisma and synergy required for these demanding roles and their performances...made this an evening to remember."
Roy Bradbrook –Dan's Papers
Suzanne Michaud, Thérèse Raquin
Dicapo Opera Theatre- 2007
"With her fresh, naturally produced lyric soprano, Kristin Sampson, cast in the small part of Suzanne, made the most positive vocal contribution in the show."
Oussama Zahr - Opera News
Anna Glawari, The Merry Widow
Dicapo Opera Theatre- 2006
"There's still plenty of merriment and musical pizazz in that turn of the last century's waltzing operetta The Merry Widow by Austro-Hungarian composer Franz Lehár and librettists Viktor Léon and Leo Stein. That is provided it's blessed with a widow whose charm and voice match her fortune... Kristin Sampson brought a superb soprano and great presence to Anna Glawari..."
Elyse Sommer - CurtainUp
Cleopatra, Julius Caesar
Hudson Opera Theater/Delaware Valley Opera- 2006
"He came, he saw, he conquered. Yes, Julius Caesar, of course, but also Ron DeFesi in his role of artistic director of the combined forces of the Delaware Valley Opera and Hudson Opera Theater. Under his direction, productions in the recent past have proved so noteworthy that the site has become a mecca for rising opera singers. And clearly evident in this trend is Kristin Sampson who is starring as Cleopatra in the current production of Handel's "Julius Caesar." In Sunday afternoon's presentation at the Tusten Theatre, this young woman who has earned rave reviews elsewhere exhibited top-drawer quality. She not only sings with purity of tone and intensity enough to fill the auditorium twice over, but also her florid passages soar with grace and her sustained tones turn into dramatic moments."
Marcus Kalipolites - Times Herald-Record
Mimì, La Bohème
The Little Opera Company of New Jersey- 2006
"As Mimi, Ms. Sampson was in a class by herself. Her voice was rich, full and singing from bottom to top. She had the means to convey whatever mood or motion the libretto demanded. No matter how high or how softly she sang, the sound was supported, the vibrato spinning, the timbre consistent and the phrasing perfectly shaped. Beyond the technique, carry and expressiveness of her voice was an irresistibly gorgeous sound. Last, but not least, she actually coughed like someone who was gravely ill.”
Brad Tinfow –The Westfield Ledger
Violetta Valéry, La Traviata
Opera of the Hamptons- 2005
"Next step stardom...the voices were those of the most accomplished opera singers..."
Julia C. Meade –New York Times
 
"A couple of weeks ago, at the Vail Leavitt Music Hall in Riverhead, a large audience was thrilled to behold another of the great works, this time Verdi's passionate La Traviata. This production, incidentally, was hailed by the owner of a very well known and respected New York based artists management company as 'The most credible production of this opera that I have ever seen' –high praise indeed! The lead role of the courtesan, Violetta, was sung and acted beautifully by a newcomer to the company, Kristin Elena Sampson..."
Roy Bradbrook –Dan's Papers
 
Violetta Valéry, La Traviata
Hudson Opera Theater/Delaware Valley Opera- 2005
"At the heart of this tragic story is the would-be heroine, brilliantly performed by Kristin Sampson. With a beautiful vibrant voice and emotion-filled acting, she creates a character who captures a whole range of emotions."
Marcus Kalipolites - Times Herald-Record
 
Anne Egerman, A Little Night Music
Shaker Mountain Opera –2003
"Marcus Auger as Henrik (Fredrik's son), and Kristin Elena Sampson as Anne (Fredrik's wife) both added strong voices to the production..."
Bill Rice - Gazette Reporter
 
Monica, The Medium
Whitman College Guest Artist Recital Series –2001
"Sampson's strong, clear- beautiful voice filled the auditorium as she immersed herself in the role of Monica..."
Maggie Ross - The Pioneer
Home Biography Resume Photo Gallery News Contact Information